In addition to any Copyright still held by the original authors, the Scans, URLs start with the letters ' The Kudu Net is a backup 'mirror' of The Inquiry 'Address' and it is usually found in a little box near the top of your To Email me, replace '(at)' below you have questions about one of my 2,000 pages here, you must send me the Thank you for yourДead Bugs, Blow Guns, Sharp Knives, & Snakes: Help defer the expense of keeping us online. The search box below, a small referral fee is returned to The Inquiry Net to Much handling or water as the tempera (show-card color) is not permanent. Enamels, lacquer,Дuco and common show-card colors may be used, the object, the object cannot be subjected to It will often be better to use a more expensive grade of paint. On pieces of carving or other objects mentioned in the discussion of Craftsmanship Gifts, etc., Nowadays colors come already mixed in practically any shade you desire, at a price thatДЇor large camp work a reasonably priced paint is perfectly good enough. From these three colorsДЄny other colors may be created by the correct combination and mixing. There are three primary colors-red, blue, and yellow. Therefore we have attempted to give only a general meaning to the prevalent shades. Symbolism of the colors changed a little in different parts of the United States. Very bright and became subdued after the pole had weathered several winters. The Indians originally used pigments made from clay and roots. Steeplejack method of slinging a rope around and adjusting it as he painted. You can see in the illustration (Treasure Island PhiladelphiaД¬amp) that this Scout preferred to paint the pole after it was up and has used the Improvements in color effects not realized or visualized in the rough preliminary studiesДЄnd sketches. Some people, however, prefer to paint even large poles after they areД®rected, contending that one can see the pole as it looks from a distance, and thus make Pole is fairly short a better finished job can be accomplished after it has been erected, Or on the ground, and the other method is to paint it after it is erected. There are two common ways of painting the pole. Where knots are conspicuous and when fairly unseasoned wood has been used, it isДЄdvisable to give them a coating of shellac to prevent the resin from running out andД«e sure the object is clean and that all particles of dust and dirt have been removed. Painting the TotemДЄfter the pole or object of craftsmanship has been completed and the incised partsД¬arefully cleaned out to give sharp, distinct markings and shadows, preparations for Mountains in the distance and general conventionalized signs.Д«LACK: Mud from sulphur springs and other earth deposits made Recessed Portions of the carving and for symbols of a reverent nature. Substance for dyeing and the Indians used this commonly. Other parts of the country used the juice of grasses. In certain sections of the west and northwestД¬opper was rather abundant. This color may be obtained by mixing two primary colors, yellow and blue, or it may be The earth, the hills, the trees, and mountains, so common in all Indian legends. Green: It may easily be realized that this color represents Yellow reflects the symbol of the sun, light and happiness. Clays, roots, and tannic barks furnished the natives withДyes. Yellow: The natural abundant materials made this color a very The canyons also lent varying hues to this effective color. Large portion of the natural materials for this color. Rivers, waters, and lakes, also the skies. Woodpecker, the scarlet tanager or frequently the tongue of an animal.Д«lue: This color was most commonly used as the symbol for the Sometimes it is used as appears in nature, such as the crest of a red-headed Red: Generally this color stands for blood, war or valor. It also stood for purity, peace, and death. Light colors, as a background and predominating shade. WHITE: This color is used, along with other Eyebrows, eyeballs and edges of ears are black.

In all three figures, arms, legs, mouth, face, nostrils, andД®ar-holes are scarlet. The third figure is squatting with its arms and legs in a Into the mouth, and the ears of an animal.

The next figure, whose feet cannot be seen. Objects of a blue color which are placed on dance hats, and against this leans The principle figure has upon its head one of those cylindrical The lower one has a broad nose, projecting front teeth, and Principle design of the wolf head totem, left. Three crouching human figures with headds, part human, form the

Totem pole output meaning